Art in the City: the Spiral Show at the Studio Museum in Harlem
Godzilla , 1966, by Emma Amos I've been meaning to get around to this, this little review of Spiral: Perspectives on an African-American Art Collective at the Studio Museum in Harlem. I'm including an excerpt from co-curator Emily G. Hanna's introduction to the original show, which opened at the Birmingham Museum of Art late last year (because I want to get this out to you now and it would take me a long time to craft suitable words to go with): "In July 1963 Romare Bearden initiated conversations with fellow painters Hale Woodruff, Norman Lewis, and Charles Alston about the prospective role of African-American artists in the Civil Rights movement. While their original focus was the upcoming March on Washington, attention was also given to if, how, and to what degree artists might assume a meaningful placement within the social change platform of the overall movement. The discussions evolved into regular meetings at Bearden’s downtown New York Canal Street...