Art in the City: Spiral at the Studio Museum
I've been meaning to get around to this, this little review of the Spiral show at the Studio Museum in Harlem. From the National Gallery of Art's website (because I want to get this out to you now and it would take me a long time to craft suitable
In 1963 Bearden and fellow artist Hale Woodruff invited other artists, later calling themselves the Spiral group, to meet at Bearden's downtown Canal Street studio to discuss political events related to the civil rights movement and the plight of blacks in America. Initially the group was concerned with logistical issues, such as obtaining busses to travel to the March on Washington in the summer of 1963. However, their efforts turned toward aesthetic concerns, rather than political. Spiral member Norman Lewis framed the question: "Is there a Negro Image?" To which group member Felrath Hines responded, "There is no Negro Image in the twentieth century—in the 1960s. There are only prevailing ideas that influence everyone all over the world, to which the Negro has been, and is, contributing. Each person paints out of the life he lives." Spiral sought to define how it could contribute to the civil rights movement and to what author Ralph Ellison called a "new visual order."
In 1963 Bearden and fellow artist Hale Woodruff invited other artists, later calling themselves the Spiral group, to meet at Bearden's downtown Canal Street studio to discuss political events related to the civil rights movement and the plight of blacks in America. Initially the group was concerned with logistical issues, such as obtaining busses to travel to the March on Washington in the summer of 1963. However, their efforts turned toward aesthetic concerns, rather than political. Spiral member Norman Lewis framed the question: "Is there a Negro Image?" To which group member Felrath Hines responded, "There is no Negro Image in the twentieth century—in the 1960s. There are only prevailing ideas that influence everyone all over the world, to which the Negro has been, and is, contributing. Each person paints out of the life he lives." Spiral sought to define how it could contribute to the civil rights movement and to what author Ralph Ellison called a "new visual order."
Comments